USSR / Russia TOMBAC 1987(L) 60mm Painter D.S. Moor (Orlov) NGC MS 67

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Certification details

Certification number: 6639801-012

Grade: MS 67

NGC collectible ID: 114507

Date: 1987(L) 60mm USSR D.S. MOOR

Nominal value: TOMBAC

Mint Mark: USSR

Variety: D.S. MOOR

Year: 1987(L) 60mm

Diameter: 60

TOP POP. The highest graded in NGC census.


D.S. Moor: The Artist Behind Revolutionary Imagery

Dmitry Stakhievich Orlov, better known by his pseudonym D.S. Moor, was a pivotal figure in Russian art, particularly celebrated for his work in political propaganda during the early Soviet era. Born on November 3, 1883, in Novocherkassk, Moor's artistic journey was deeply intertwined with the tumultuous political landscape of Russia in the early 20th century.

Early Life and Artistic Beginnings

Moor's early life was marked by his family's background in mining engineering, but his passion for art led him to different paths. His initial forays into art were under the pseudonym "Dor," a playful derivation from his name. However, it was under the name Moor, inspired by characters from Friedrich Schiller's "The Robbers," that he would make his mark. This pseudonym reflected his dramatic flair and perhaps his inclination towards revolutionary themes.

Artistic Style and Contributions

Moor's work was characterized by its bold, graphic style, perfectly suited for the political posters he would become famous for. During the Russian Civil War, he created posters for the Red Army, which were not only tools for propaganda but also works of art that captured the spirit of revolution. His posters often depicted stark contrasts between the oppressed workers and their oppressors, using vivid imagery to convey messages of solidarity, resistance, and the promise of a new world order.

Notable Works

One of his most iconic works includes the poster "Kazak, ty bil tsarei bil i boiar" ("Cossack, you beat the Tsars and the Boyars in the past"), which rallied the Cossacks against the White Army, showcasing Moor's ability to blend art with political messaging. His designs were not just about aesthetics; they were calls to action, embodying the revolutionary fervor of the times.

Legacy

Moor's legacy extends beyond his immediate contributions to Soviet propaganda. His work influenced subsequent generations of artists and remains a study in how art can be a powerful tool for political change. His ability to distill complex political messages into visually compelling imagery made him a master of his craft.

Later Life and Recognition

While Moor's later life saw him continue in the art world, his earlier works during the revolutionary period remain his most recognized. His contributions were acknowledged within the Soviet Union, where he held positions that allowed him to influence the development of Soviet art education and propaganda.

Conclusion

D.S. Moor's life and work encapsulate the intersection of art and politics in one of the most transformative periods of Russian history. His posters are not just historical artifacts but vibrant pieces of art that continue to inspire discussions on the role of art in society, particularly during times of radical change. Moor's legacy is a reminder of

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